With Cindy Cheung, Wai Ching Ho, Amy Keum, Jon Norman Schneider, and Daisuke Tsuji
Don't mess with a Chinese grandma.
When a high-rise developer threatens to buy out A-Poh’s successful Chinatown restaurant, the martyr-complex matriarch gathers her three precious grandchildren from all corners of the country to plan their next mode of attack.
There’s just one problem – A-Poh's memory is rapidly fading. What follows is a chaotic journey through reality, myth, and magic as A-Poh travels through now and the great beyond in a last-ditch effort to preserve what’s left of her family, legacy, and sanity.
A caustic and imaginative spin on King Lear that explores the changing face of America's Chinatowns and the fight to preserve a fading cultural memory.
Lead support for Laowang is provided by The Garfield family fund in memory of johanna garfield and the Andrew Leynse Legacy Project at Primary Stages.
Major season support provided by the The Howard Gilman Foundation, the A.R Gurney Playwrights Fund, The SHS Foundation, The Shubert Foundation, The Harold and Mimi Steinberg Charitable Trust, and public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Laowang was originally developed by Two River Theater (Justin Waldman, Artistic Director; Nora DeVeau-Rosen, Managing Director).
Laowang received support from the New York Theatre Workshop annual summer residency at Dartmouth College/Adelphi University.
Laowang was developed as part of the Liff Lab, a new play development program at Primary Stages.
Please join us for post-show talkbacks after the following performances:
Friday, November 14 at 7:00PM - Emerging API Artists in conversation with playwright Alex Lin with artists Jesse Jae Hoon, Julia Izumi, and Yilong Liu
Saturday, November 15 at 7:00PM - API Night:A Community Night and Talkback in collaboration with CAATA(the Consortium of Asian American Theater Artists)
Sunday, November 23 at 2:00PM - Gentrification and Uplifting Small Businesses in Chinatown with Harry Trinh from Welcome to Chinatown
Tuesday, December 2 at 7:00PM with the cast and creative team of Laowang
Cindy
Cheung
Wai Ching
Ho
Amy
Keum
Jon Norman
Schneider
Daisuke
Tsuji
Wilson Chin,
Scenic Design
Tina McCartney,
Costume Design
Reza Behjat,
Lighting Design
Nicholas Drashner,
Original Music and Sound Design
Thomas Jenkeleit,
Props Superviser
Nikki Lint,
Production Stage Manager
Sammy Landau,
Assistant Stage Manager
Photo Caption: Wai Ching Ho, Cindy Cheung, Jon Norman Schneider, and Amy Keum in LAOWANG
Photo: James Leynse
Photo Caption: Amy Keum in LAOWANG
Photo: James Leynse
Photo Caption: Cindy Cheung, Daisuke Tsuji, and Jon Norman Schneider in LAOWANG
Photo: James Leynse
Photo Caption: Cindy Cheung and Jon Norman Schneider in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho in LAOWANG
Photo: James Leynse
Photo Caption: Jon Norman Schneider, Cindy Cheung, Wai Ching Ho, and Daisuke Tsuji in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho, Daisuke Tsuji, and Amy Keum in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho in LAOWANG
Photo: James Leynse
Photo Caption: Wai Ching Ho and Amy Keum in LAOWANG
Photo: James Leynse
of
Producing Company
Primary Stages
Erin Daley, Artistic Director
Primary Stages is dedicated to inspiring, supporting, producing, and sharing the art of playwriting. We operate on the strongly held belief that the future of American theater relies on nurturing playwrights and giving them the support they need to fully realize their vision. Primary Stages is the Resident Off Broadway Theater Company at 59E59 Theaters.
"[Lin] has a genuinely fresh perspective – warm and wise but also tough-minded and wickedly funny – to bring to depictions of the Asian American experience in theater." – TheaterMania
"Laowang does not merely retell King Lear; it refracts it, reframes it, and ultimately reclaims it, transforming the old king’s howl into something recognizably, wrenchingly modern."
"If this Chinatown Lear is any indication, [Alex Lin] is poised to become one of the theater’s most incisive chroniclers of the Asian-American experience. Her voice—wry, wise, compassionate, unsentimental—cuts through the noise with something rarer than originality: clarity." – Theatre Beyond Broadway
"You can't mistake its vigor, comic energy, and knack for surprise revelations"
"Lin makes a writing debut that makes one eager to see what she does next." – Lighting and Sound America
"Wai Ching Ho combines steel, sarcasm and tenderness in a manner she has patented. She's always worth seeing" – Windy City Times